Paris, the 1920s. Art Deco style is at its peak. The frenzy of the era is in full swing. It is a time of exuberance; sequins lead the way. With her avant-garde and free-thinking spirit, Gabrielle Chanel embraced this geometric and contrasting aesthetic, and experimented with a completely new style. Within the walls of her rue Cambon Atelier, the designer celebrated life by creating evening gowns studded with striking sequins.
In 2023, the Makeup Creation Studio honors her daring spirit by creating dazzling eye looks for the holiday season. The carefree splendor and liberating glamour of that era shine today in a new exclusive collection that symbolizes the Roaring Twenties in all its magnificence. With only one goal in mind: to shine. Infinitely.
Like a delicately embroidered cascade of sequins on a dress that twirls to the beat of the music, the five shades featured in the Lumiere Graphique palette are flecked with flamboyant sparkles. These precious, dazzling flashes of Pink Gold, Diamond White, and Shimmering Black can be combined for a graphic, contrasting eye look.
Illuminated eyelids swing to the rhythm of a graphic black line created using Signature de Chanel eyeliner. This intense duet then follows the tempo of NOIR ALLURE mascara, which fans out the lashes, gives them volume, and adds mysterious depth to the overall look. Irresistibly magnetic.
Duo Lumiere captures the splendor of the 1920s within a radiant powder that illuminates the complexion and creates a signature look. The embossed sequins of this exclusive creation are reminiscent of the sparkles that were dear to Gabrielle Chanel.
This season, the highly pigmented lipstick comes in the shades Midnight Red, a hypnotic, metallic red hue, and Roaring Purple, a deep, iridescent crimson, in addition to Beige Brut and Rouge Puissant. Available in two delicate, mesmerizing shades: Golden Beige, a golden coral, and Fancy Prune, a powerful metallic plum hue. Delicately applied, these unique new jewels of lipsticks will allow your lips to shimmer all night.
